In the winter of
1932, Bleuette’s 1920s cloche hats were sold out, and G-L fashions began to focus on fitted thirties’ styles,
and new hat shapes. In the summer, two
fashions for Bleuette were offered that have since become classics for Bleuette,
Juan les Pins, a sailor-type trouser
outfit for the beach, and Petit Bob,
a coat and hat also with sailor styling.
These are typical of the new ideas Gautier-Languereau Publications had
for Bleuette. Little girls responded by
purchasing more and more ready-made clothing for their Bleuettes from the
twice-yearly, “Le Trousseau de Bleuette” catalog. The patterns published in La Semaine de Suzette began to shift
toward more lingerie, night-dresses, costumes and sports clothes, with fewer
dresses and coats.
The thirties were a time of modernity and streamlined
silhouettes. Bleuette’s “little mothers”
were given patterns for sports clothing, from rowing and riding to fencing and
bicycling. Bleuette went on vacation to
the seashore. Bleuette wore shorts and trousers! To keep up with the times, in the Summer 1933
G-L catalog, Bleuette became taller and more streamlined, with longer, thinner
legs. She was now 29cm tall, and had an
entirely new body.
Left: 27 cm Bleuette. Right: new 29 cm Bleuette. |
To go with the new body, Bleuette’s head was either the
charming character 251-2 mold or else a new Unis France 301 mold in the size of
1 ¼ for bisque or 1 ½ for pasteboard and composition. The new body was still marked 1 on the soles of the feet and 2 on the
back. Her wig had bangs and curls, longer than the short bob styles of the
twenties. In addition the banner of La Semaine de Suzette was also updated,
probably in 1932.
The 1930s brought exceptional G-L fashions and a multitude
of accessories for Bleuette: skis,
skates, boots, clothing with the new zipper closure, leather handbags,
slippers, umbrellas, a little
leatherette dog named Ric, and even furniture and pottery dishes.
28 cm "sale" Bleuettes |
On September 3, 1939, war with Germany
was declared. The spring/summer 1940 catalog was the last “normal” catalog
before WWII overcame the workings of the publishers. In June of 1940, Paris
was occupied by the enemy, and the publication of La Semaine de Suzette came to a halt until May of 1946. A much-reduced catalog for 1940-41 bears the
caption, “Bleuette Awaits You, she
thinks of you without ceasing.” During
the war, supplies were difficult to get.
G-L Publications continued to sell clothing for Bleuette as materials
allowed, drawing on and using up their fabric stores in the process. Between 1942 and 1946, no catalogs were
printed, but clothing was sold from the offices of the publishers. Bleuette had a uniform of blouse, skirt, and
trench-coat with a military-style cap.
Parts were on hand for repairs, but no wigs were available, or leather
shoes.
After the war, even after La Semaine de Suzette resumed publication, there were still
shortages and fewer Bleuettes were available.
Those made then had pale faces, rayon wigs, pink-painted bodies that
peeled and cracked, and new weighted sleep eyes of vivid blue. The rayon wigs did not wear well, but human
hair or mohair was not available.
By 1950, much was returned to normal in Bleuette’s
world. The catalog was back to its usual
illustrated form, being published twice a year, with all the latest fashions. Bleuette herself was made of better
materials. A pasteboard head for the
unbreakable version of Bleuette had a new mold, Bleuette with a closed
mouth. It was made from 1950 to 1954. A large round sticker on the back proclaimed her to be
“Bleuette, registered design” in navy blue letters. Human hair wigs returned in the winter of
1950-51.
Post-war Bleuette, courtesy of Peggy Spivey |
While the ready-made clothing was of exceptional quality,
the patterns for Bleuette published in La
Semaine de Suzette were a little disappointing in this era. The late forties and 1950 issues had fewer
patterns of Bleuette’s stylish clothing. In 1951, patterns were not printed in
full size, but in schematic diagrams only.
Then, in issue 49 of that year, the patterns abruptly returned to full
size—obviously the diagrams had not proved popular! From 1952 to the final, and only, pattern in
1960, the number of patterns provided was drastically reduced. Suzettes were undoubtedly purchasing in
quantity the very tempting G-L ready-made clothing and accessories, and sewing
much less.
Her first body had a torso of composition, with wood and composition
limbs; later torsos were made of a new plastic material, painted, with the same
wood and composition limbs. She was made from 1955 to 1957, when SFBJ stopped
making dolls and toys.
Bleuette 58 |
Bleuette continued for a short time in a world that had now
embraced Barbie and her ilk. No one
knows why a vinyl Bleuette and Rosette were not manufactured to keep in step
with the times, but the SFBJ closed in 1957, and the factory was converted to manufacture
ball-point pens. G-L Publications, now being
run by Madame Languereau, continued to publish the catalog and La Semaine de Suzette until June of 1960. Briefly, in 1958, a hard plastic “Bleuette
58” of 33cm made by the doll company GéGé was added to the catalog, and an
attempt was made to include “Bleuette 58” in the LSDS patterns. She was not a fully articulated doll, her
face was dissimilar with its closed mouth, and she did not wear well the G-L
clothing of either Bleuette or Rosette. Unfortunately, she was not a success.
The era of Bleuette was over. To quote Billy Boy:
On Le Trousseau de Bleuette stationary, the following was received by each reader who sent in requests for a Bleuette or her clothes in 1960: “Because of our ad which appeared in Les Veillées des Chaumiéres [another G-L publication] since September and more especially again in the October, November and December issues, we received many requests for Bleuette and her clothes and we are sorry to let you know that our stocks are, at this time, completely sold out.”
This is how G-L announced the final curtain on Bleuette’s fifty-five year life.
G-L's "Petite Bob" |
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